Connecting
Traditions (cont'd)
Excited
about the role of language in performance, Wemytewa formed the Zuni
theater troupe to collaborate with Roadside on a play that explored
two of the country's most traditional cultures.
"Theater
is just a medium that helps us to demonstrate the live use of the
language," Wemytewa said.
Corn
Mountain/Pine Mountain premiered in Whitesburg in 1996 and has
played in Zuni as well as in Arizona and New Orleans. Written by
Wemytewa and Arden Kucate of Idiwanan An Chawe and Porterfield and
Ron Short of Roadside Theater, the play features Appalachian and
Zuni musicians and storytellers and a group of Zuni dancers and
singers dressed in traditional regalia.
The
play cycles through the seasons, beginning with spring, a season
of new life, and ending with winter, when Mother Earth and the Corn
Maidens all sleep.
"In
Zuni we are season-oriented, and so are they in Appalachia," Wemytewa
said.
But
the play looks at much more than simply the seasons. "It's also
about the whole mythological world that encircles our two cultures,"
Cocke said.
The
spring segment of the play includes a Zuni Turkey Dance and a Cinderella-style
story, Turkey Girl, about a mother who learns a hard lesson
after abandoning her children to attend a social dance.
The
Appalachian springtime story, Hairy Woman, addresses the
tragedies that can arise from people's judgments about those who
are different. "Hairy Woman is one of the oldest stories
in the mountains," Cocke said. "It's a huge story about origin.
It comes to us in this recent 200- to 300-year-old version from
its long, long history in Europe, and perhaps even from Africa before
that. It's one of the oldest stories we've ever known."
The
play's creators hope their traditions will inspire audiences watching
Corn Mountain/Pine Mountain to reflect on their own origins.
"We
want audiences to think about their own stories, their own songs,
their own dances and their own myths - in other words, their own
roots and their own traditions," Cocke said.
Seeing
the point where two seemingly different cultures can converge may
also reveal how connected we all are through stories and songs.
"Without
our stories, how will we know its us?" Cocke said. "And without
hearing the stories of others, how will we know who they are?"
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