Quotes
General Quotes from the Media
"The variety of techniques, including actor establishing intimacy
with viewer through prolonged eye contact or a touch on the sleeve
of a rapt front-row child, combined into a learning experience that
history books cannot approach."
Atlanta Journal
"If you have never been to the theater, Roadside Theater is a good
place to start. Even if you consider the theater a second home,
Roadside Theater promotes an unusual theatrical experience."
The Boston
Globe
" . . . remarkable entertainment, the likes of which New York folks
don't encounter everyday."
The Christian
Science Monitor
"The company will continue its barnstorming way of life, telling
oft-told tales to mountain audiences, dipping into the rich reservoir
of folk memory, and occasionally bringing big-city provincials a
breath of authentic Americana."
The Christian
Science Monitor
"This theater does not come into town with gowns and gaiters, song
and dance, and then leave at the end of the show. The troupers come
to town early, hang around for a while, and shine a light on a community's
past."
The Cincinnati
Enquirer
"There's love, laughter, heartfelt music, and finally, a genuine
poignancy."
Dayton Daily
News
"These stories are told with such charm that the Appalachian world
springs to life."
The
Guardian, London, Great Britain
"Roadside aims to describe Appalachia to others and inspire its
own people to cherish their traditions rather than abandon them
for an homogenized American way of life."
Keene (NH)
Sentinel
"Magic that makes the oldest story new every time."
The Kentucky
Post
"Roadside Theater is genuine Americana at its best."
Las Vegas
Sun
"Roadside Theater was founded on such true stories and an awareness
of what constitutes cultural roots, background, a whole heritage."
London Financial
Times
"Simple, communal, heart to heart, and bringing us all back home
to our cultural roots."
Los Angeles
Herald Examiner
"Roadside Theater may be geographically from a remote region of
America, but spiritually this company exposes the territory of the
human heart."
Los Angeles
Herald Examiner
"There was nothing watered down about Roadside Theater. They swept
into their performance space like a blast of fresh mountain air."
Los Angeles
Times
"Roadside's work explained about as much about contemporary Appalachia
as it did about its past. It was obvious that Roadside Theater's
actors were reliving their heritage, not just reciting the scripts
they wrote."
Louisville
Courier Journal
"Roadside Theater's inspiration originates in Appalachia; its appeal
is universal."
Louisville
Courier Journal
"Roadside Theater is a powerful conveyor of Appalachian folk traditions."
Louisville
Courier Journal
"The three sang, spun yarns, and kept up such a quick pace that
it was impossible not to stay fascinated."
Louisville
Courier Journal
"Pride, dignity, and self-appreciation mark the lives we hear about
and come to see plainly."
Nashville
Tennessean
"It was pure theater, innocuous and innocent and highly professional,
as the stories and songs were enacted to the delight of an audience
that would have described itself as sophisticated but had no idea
how much it would enjoy this rare kind of Americana."
Nashville
Tennessean
"Ultimately the Roadside Theater performers insist that theater
is only vital if it is a theater of conscience."
National
Public Radio
"What emerges in Roadside Theater's work is a portrait of Americans
in a locale, Appalachia, that's more rich and immediate than you're
likely to read in any social history. The theatrical and artistic
reverberations are unceasing."
National Public
Radio, Morning Edition
"There is something in Roadside Theater's innocent and forthright
manner of presentation that rivets your attention and challenges
all perceptions of stagecraft."
National Public
Radio, Morning Edition
"Roadside's theater works on the listeners in a manner that nothing
else quite matches. Most stories, after all, originated this way,
by straight-out word of mouth. Maybe this is why there is some curious
sense of community created in their live performance."
News and
Courier, Charleston, SC
"A moving evening of tales comic and sad by the actors of the Roadside
Theater, impersonating with a documentary-like reality the humor
and the melancholy of Appalachia."
Philadelphia
Bulletin
"Keep an eye out for this exceptional group from Appalachia."
San Francisco
Chronicle
"The music ranges from foot-stomping mountain tunes to plaintive
ballads, and are sung superbly by the three talented performers.
Indeed, the music alone is worth the price of a ticket."
San Francisco
Chronicle
"One of the great strengths of Roadside is its ability to create
an instantaneous atmosphere of great warmth with its audience."
San Francisco
Chronicle
"Roadside is dramaturgy with a difference: a hybrid form of play-acting
as organic to this hardbitten coal country as the Cumberland walnut."
Smithsonian
Magazine
"The ability of the actors to ignite this sense of worth in one's
own heritage is evident."
Southern
Changes
"These delightful tales are told with a lively home-grown warmth
that endears them at once to anyone who's grown up with storytelling
in the family. . . . Roadside's charm is also due to the broad range
of voices, their vivid mountain accents, and the beautifully timed
pacing of the stories."
Southern
Exposure Magazine
"Roadside Theater's drama has a social message that never becomes
propagandistic. All of the performers have a remarkable naturalness
in their responses to each other and to the audience. . . . The
humanity of the show is achieved by the complete credibility of
the performers and their actions."
Southern
Magazine
"Roadside depicts an image of America unlike the clichés."
Svenska Dagbladet,
Sweden
"Roadside Theater is a traveling cultural treasure--a thought-provoking
and thoroughly entertaining celebration of tales and songs based
on regional stories and music handed down through generations of
farmers and miners of the Central Appalachian Mountains."
Times-Standard,
Arcata, CA
"Wonderful family entertainment, not just because it's authentic,
but because it's good art."
Video Times
"Roadside's actors have perfected an improvisatory style that is
particularly suited to the stories they have chosen to tell; their
conversational tone is chilling."
The Wall
Street Journal
"No one missed a word of passion, humor, or narration. Individually
gifted, the trio is marvelously resourceful as an ensemble."
Washington
Post
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Quotes from Individuals About Performances
and the Theater
"I'm so happy that Roadside is on this earth."
Bill Rauch, Cornerstone Theater, Los Angeles, CA
"I look forward to seeing the company over and over, and I
still always think of the first time I saw them, perhaps the best
of all, in a mountain holler, surrounded by friends, telling stories,
I will never forget."
Jenneth Webster, New York, NY
"You were such a delight! All the memories of my childhood and
the importance of my heritage came through."
Minerva Craft, Covington, KY
"Their personal style and entertaining approach demanded the undivided
attention of students and faculty alike. . . It is most encouraging
to have a group such as Roadside Theater to carry on the cultural
tradition of the area."
Paula C. Ely, Principal of Norton Elementary
School, Norton, VA
"Your brand of theater performs a terrific service in bringing
us all a little closer together and making us look at our own heritage
with more pride."
Kaye Foremaster, Caliente, NV
"I know of no other top quality professional theater more adaptable
to and adept at touring. Their Nevada tour was a resounding success."
Dr. Christopher Hudgins, University of Nevada
"I wanted to let you know how enjoyable and important your recently
sponsored public performance was for all involved . . . the message
of preservation and sustaining the Zuni language as well as the
cultural traditions which have sustained our people throughout the
centuries was very important."
Hayes A. Lewis, Assistant to the Zuni Tribal
Council, Zuni, NM
"I thought the play was marvelous. I really liked it. And I felt
that it was art that really brought alive the spirit of a certain
period and a certain set of historical events."
John Alexander Williams, West Virginia University
"(It was) poignant to be reminded of just how tentative and fragile
black/white relations were --even among those who were well meaning."
Audience member, Walk Together Children
"The only innovative, and by far the most authentic and affecting
expression of regional consciousness . . ."
Alan Lomax, folklorist
"At first I didn't want to go, but I liked it a lot better than
watching TV."
Bennett Morgan, Jr., Van, KY
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Quotes from Individuals About Roadside
Community Residencies
"You have to feel good about yourself to stand up for what you
believe in. . . . This whole project is about empowering people,
and they can then feel who they are and where they come from is
honorable."
Ralph Paulus, farmer and director, Performing
Arts League, Choteau, MT
"You run a couple of boars in there, and you got maybe a dozen
sows, and . . . in another six months you've got 20,000 pounds of
pork to deal with, just from opening that gate. And that's the way
this art stuff is."
Ralph Paulus, farmer and director of Performing
Arts League, Choteau, MT
"Story circles arent rocket science, you know. If people
listen to each other, they learn."
Joy Smith-Briggs, director, Family Crisis
Support Services, Norton, VA
"As a teacher, I consider it to be of paramount importance to develop
a positive self-image in the children I work with. This self-awareness
has its foundation in the culture and the history of the place in
which the children live . . . The programs which Roadside Theater
provide us are an invaluable link to this heritage. I consider these
people to be a prime resource in the teaching of the unique Appalachian
way of life."
William Rosenfeld, teacher, Norton, VA
"History is ordinary, everyday stuff you don't think is important.
. . . We're so programmed that stories come from Hollywood and television
and we've undervalued our own stories for so long. Even though I
know it in my head, it still seems new to me when these amazing
stories come out."
Marilyn Shannon, community coordinator, Dayton
Stories Project, Dayton, OH
"I learned that people are more connected to each other than they
know and the best way to learn about people different from yourself
is to meet them face to face and listen to their stories."
Marilyn Shannon, community coordinator, Dayton
Stories Project, Dayton, OH
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Quotes about Roadside Plays
"Not only is Pretty Polly an exhilarating, enjoyable evening,
but the tall tales, the guitar pickin' and the banjo are the Real
McCoy."
Birmingham Post-Herald
"The high point was Roadside Theater's Pretty Polly. Here
we did feel we were touching something essentially southern: the
stony soil of Appalachia."
Los Angeles Times
"The Roadside company's honest approach, lively style and overall
professional quality made Pretty Polly one of the festival's
highlights."
Louisville Courier Journal
"[At the Junebug/Jack performance,] there were lots of smiles
on faces of many colors."
New Orleans
Times-Picayune
"Mountain Tales is magic that makes even the oldest story
new every time."
The Kentucky
Post
"Red Fox/Second Hangin' recreates, with great charm and
visible passion, a part of this country's past the entire nation
can treasure. If its inspiration originates in Appalachia, its appeal
is universal."
Louisville
Courier Journal
"Working on an almost bare stage and with the simplest of props,
the cast draws the spectator irresistibly into this strange story
of mountain conflicts, the coming of big-money exploiters, and the
corruption of justice."
The Christian
Science Monitor
"New York's fashionable East Side might seem the last spot in the
country that would prove hospitable to a trio of self-confessed
mountain boys from Appalachia telling tales about fightin' and feudin'
among their ancestors. Yet such a group held theater audiences in
a powerful sway at New York's highly esteemed Manhattan Theatre
Club."
Louisville
Courier Journal
"[Red Fox/Second Hangin' is]. . . as stirring to the audience for
its historical detective work as for the vanishing art of frontier
yarnspinning."
The New York
Times
"The most strikingly original show was Red Fox/Second Hangin',
so regional in its approach that its ethnicity could make a hit
anywhere . . . the show creates its own unique approach to theater."
San Francisco
Chronicle
"Red Fox has more to say about the history of rural America
than any five history books."
Theater Times
"Red Fox/Second Hangin' is a brilliant piece of art created
out of Appalachian memories of history."
Atlanta Constitution
"The best of the Festival's plays were world class. At the top
you'd have to put Roadside Theater's Red Fox/Second Hangin'."
Los Angeles
Times
"Boston critic, Elliot Norton, who reviews in New York as well
as in his own city, said he regarded Red Fox/Second Hangin'
as the finest stage production in every way -- the work itself,
the staging, and the artistry of the actors -- that he had seen
in the past 10 years."
Nashville
Tennessean
"In Red Fox/Second Hangin' performers bereft of sets,
costumes and props just talk. They move easily through a multitude
of roles -- women and children, young men and old -- with artfully
artless narration that ranges from your-turn cracker-barrel soliloquy
to what co-author Dudley Cocke likens to 'a bunch just busting to
tell you a story they all know. Battling lines back and forth, saying
some phrases in unison, feeding off each other's rhythms.' The result
is magic."
Smithsonian
Magazine
"The long forgotten but intricately researched trial (of Red
Fox/Second Hangin') would be a winner anywhere, so deft are
the three actors in quickening this memory of 100 years ago in the
Cumberland Mountains."
The Washington
Post
"South of the Mountain is an extraordinary theater piece
by the Roadside Theater, sung and narrated with serenely beautiful
simplicity."
New York
Post
"In South of the Mountain, writer Ron Short's stories and
original songs based largely on recollections of his kin, range
from the gently comic to the elegiac, and are deeply affecting."
Theatre Communications,
NYC
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Quotes about Roadside Books and Recordings
Journeys Home Book/CD combination
"Our A:shiwi (Zuni) People have a long history of sharing.
This Zuni-Appalachia collaboration on storytelling and drama continues
a venerable tradition. The Zuni Tribal Council and Zuni People are
honored to see in print the Journeys Home."
Malcolm B. Bowekaty, Governor, Pueblo
of Zuni
"This Zuni-Appalachia collaboration is moving, charming, and
above all, surprising. That two cultures seemingly so disparate
could work together with such inventiveness and such trust is a
wonderful thing."
Larry McMurtry, Pulitizer Prize winning
author
"Journeys Home is an extraordinary work of art which
builds bridges across this nation while preserving and celebrating
the rich heritages on which our country was built. This is simply
an excellent play by any measure, one which derives universal humanity
by cultural specificity."
David Henry Hwang, Tony Award winning playwright
Mountain Tales Record
"These delightful tales are told with a lovely home-grown warmth
that endears them at once to anyone who's grown up with storytelling
in the family. Several of the tales are ones that Roadside Theater
members heard themselves as children, which accounts for much of
their ring of truth. The [Mountain Tales]record's charm is
also due to the broad range of voices, their vivid mountain accents
and the beautifully timed pacing of the stories."
Southern
Exposure
Wings to Fly Compact Disc
"Wings to Fly grew from the desire to use theater
to educate people about Appalachia. But the comparison to the sort
of pallid edutainment found at historical sites and in school auditoriums
ends there. By enlisting performers from the region who could write
and perform in traditional styles, Kentucky's Roadside Theater has
imbued this CD, and similar stage productions, with authenticity
and grace."
Pamela Murray Winters, Dirty Linen, the Magazine
of Folk & World Music
"Fine harmonies, expert picking, and sincere motives combine
with that authentic mountain sound to create an unexpectedly captivating
recording."
Pamela Murray Winters, Dirty Linen
"This is the real deal: the music that came from Britain and
Ireland, augmented by those who toiled in the mines and on the farms,
and evolved into American folk music."
CMT (Country Music Today) Magazine
"This is entirely fresh, contemporary work, but it captures
the heart and soul of the Celtic roots and the foundation of traditional
old time mountain music. . . Wings to Fly is completely unique,
timeless work."
John Wolfe, Colorado Bluegrass
Music Association
"[Wings to Fly] is soulful, savvy and plain satisfying
. . . the singing is diverse and is both rooted and adventurous."
Hal Cannon, Founding Director, Western
Folklife Center
"Something drew me to Wings to Fly . . . this is the
most powerful and emotional listening I've done in years. I am not
ashamed to say its hard to type with tears flowing."
Red Shipley, WAMU, Washington, DC
"This disc is a tribute to the rich musical heritage of Appalachia
(specifically in the Cumberland Mountains). It is a celebration
of the tradition of mountain harmony singing, passed down through
the generations . . ."
Rachel Jacht, Rambles.net, A Cultural Arts Internet Magazine
"The Roadside Theater has produced a gem here, and has brought
listeners another tool by which to better understand an important
piece of American cultural history -- and its echoes in modern music."
Rachel Jacht, Rambles.net
"The performances are marked by heart and skill."
Bluegrass Unlimited Magazine
"This is a wondrous recording, a gem. The recording quality
is tops and, more important, the songs and the singing soar."
Joe Wilson, National Council for the Traditional Arts
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