Quotes

 


General Quotes from the Media

"The variety of techniques, including actor establishing intimacy with viewer through prolonged eye contact or a touch on the sleeve of a rapt front-row child, combined into a learning experience that history books cannot approach."
Atlanta Journal

"If you have never been to the theater, Roadside Theater is a good place to start. Even if you consider the theater a second home, Roadside Theater promotes an unusual theatrical experience."
The Boston Globe

" . . . remarkable entertainment, the likes of which New York folks don't encounter everyday."
The Christian Science Monitor

"The company will continue its barnstorming way of life, telling oft-told tales to mountain audiences, dipping into the rich reservoir of folk memory, and occasionally bringing big-city provincials a breath of authentic Americana."
The Christian Science Monitor

"This theater does not come into town with gowns and gaiters, song and dance, and then leave at the end of the show. The troupers come to town early, hang around for a while, and shine a light on a community's past."
The Cincinnati Enquirer

"There's love, laughter, heartfelt music, and finally, a genuine poignancy."
Dayton Daily News

"These stories are told with such charm that the Appalachian world springs to life."
The Guardian, London, Great Britain

"Roadside aims to describe Appalachia to others and inspire its own people to cherish their traditions rather than abandon them for an homogenized American way of life."
Keene (NH) Sentinel

"Magic that makes the oldest story new every time."
The Kentucky Post

"Roadside Theater is genuine Americana at its best."
Las Vegas Sun

"Roadside Theater was founded on such true stories and an awareness of what constitutes cultural roots, background, a whole heritage."
London Financial Times

"Simple, communal, heart to heart, and bringing us all back home to our cultural roots."
Los Angeles Herald Examiner

"Roadside Theater may be geographically from a remote region of America, but spiritually this company exposes the territory of the human heart."
Los Angeles Herald Examiner

"There was nothing watered down about Roadside Theater. They swept into their performance space like a blast of fresh mountain air."
Los Angeles Times

"Roadside's work explained about as much about contemporary Appalachia as it did about its past. It was obvious that Roadside Theater's actors were reliving their heritage, not just reciting the scripts they wrote."
Louisville Courier Journal

"Roadside Theater's inspiration originates in Appalachia; its appeal is universal."
Louisville Courier Journal

"Roadside Theater is a powerful conveyor of Appalachian folk traditions."
Louisville Courier Journal

"The three sang, spun yarns, and kept up such a quick pace that it was impossible not to stay fascinated."
Louisville Courier Journal

"Pride, dignity, and self-appreciation mark the lives we hear about and come to see plainly."
Nashville Tennessean

"It was pure theater, innocuous and innocent and highly professional, as the stories and songs were enacted to the delight of an audience that would have described itself as sophisticated but had no idea how much it would enjoy this rare kind of Americana."
Nashville Tennessean

"Ultimately the Roadside Theater performers insist that theater is only vital if it is a theater of conscience."
National Public Radio

"What emerges in Roadside Theater's work is a portrait of Americans in a locale, Appalachia, that's more rich and immediate than you're likely to read in any social history. The theatrical and artistic reverberations are unceasing."
National Public Radio, Morning Edition

"There is something in Roadside Theater's innocent and forthright manner of presentation that rivets your attention and challenges all perceptions of stagecraft."
National Public Radio, Morning Edition

"Roadside's theater works on the listeners in a manner that nothing else quite matches. Most stories, after all, originated this way, by straight-out word of mouth. Maybe this is why there is some curious sense of community created in their live performance."
News and Courier, Charleston, SC

"A moving evening of tales comic and sad by the actors of the Roadside Theater, impersonating with a documentary-like reality the humor and the melancholy of Appalachia."
Philadelphia Bulletin

"Keep an eye out for this exceptional group from Appalachia."
San Francisco Chronicle

"The music ranges from foot-stomping mountain tunes to plaintive ballads, and are sung superbly by the three talented performers. Indeed, the music alone is worth the price of a ticket."
San Francisco Chronicle

"One of the great strengths of Roadside is its ability to create an instantaneous atmosphere of great warmth with its audience."
San Francisco Chronicle

"Roadside is dramaturgy with a difference: a hybrid form of play-acting as organic to this hardbitten coal country as the Cumberland walnut."
Smithsonian Magazine

"The ability of the actors to ignite this sense of worth in one's own heritage is evident."
Southern Changes

"These delightful tales are told with a lively home-grown warmth that endears them at once to anyone who's grown up with storytelling in the family. . . . Roadside's charm is also due to the broad range of voices, their vivid mountain accents, and the beautifully timed pacing of the stories."
Southern Exposure Magazine

"Roadside Theater's drama has a social message that never becomes propagandistic. All of the performers have a remarkable naturalness in their responses to each other and to the audience. . . . The humanity of the show is achieved by the complete credibility of the performers and their actions."
Southern Magazine

"Roadside depicts an image of America unlike the clichés."
Svenska Dagbladet, Sweden

"Roadside Theater is a traveling cultural treasure--a thought-provoking and thoroughly entertaining celebration of tales and songs based on regional stories and music handed down through generations of farmers and miners of the Central Appalachian Mountains."
Times-Standard, Arcata, CA

"Wonderful family entertainment, not just because it's authentic, but because it's good art."
Video Times

"Roadside's actors have perfected an improvisatory style that is particularly suited to the stories they have chosen to tell; their conversational tone is chilling."
The Wall Street Journal

"No one missed a word of passion, humor, or narration. Individually gifted, the trio is marvelously resourceful as an ensemble."
Washington Post

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Quotes from Individuals About Performances and the Theater

"I'm so happy that Roadside is on this earth."
—Bill Rauch, Cornerstone Theater, Los Angeles, CA

"I look forward to seeing the company over and over, and I still always think of the first time I saw them, perhaps the best of all, in a mountain holler, surrounded by friends, telling stories, I will never forget."
—Jenneth Webster, New York, NY

"You were such a delight! All the memories of my childhood and the importance of my heritage came through."
—Minerva Craft, Covington, KY

"Their personal style and entertaining approach demanded the undivided attention of students and faculty alike. . . It is most encouraging to have a group such as Roadside Theater to carry on the cultural tradition of the area."
—Paula C. Ely, Principal of Norton Elementary School, Norton, VA

"Your brand of theater performs a terrific service in bringing us all a little closer together and making us look at our own heritage with more pride."
—Kaye Foremaster, Caliente, NV

"I know of no other top quality professional theater more adaptable to and adept at touring. Their Nevada tour was a resounding success."
—Dr. Christopher Hudgins, University of Nevada

"I wanted to let you know how enjoyable and important your recently sponsored public performance was for all involved . . . the message of preservation and sustaining the Zuni language as well as the cultural traditions which have sustained our people throughout the centuries was very important."
—Hayes A. Lewis, Assistant to the Zuni Tribal Council, Zuni, NM

"I thought the play was marvelous. I really liked it. And I felt that it was art that really brought alive the spirit of a certain period and a certain set of historical events."
—John Alexander Williams, West Virginia University

"(It was) poignant to be reminded of just how tentative and fragile black/white relations were --even among those who were well meaning."
—Audience member, Walk Together Children

"The only innovative, and by far the most authentic and affecting expression of regional consciousness . . ."
—Alan Lomax, folklorist

"At first I didn't want to go, but I liked it a lot better than watching TV."
—Bennett Morgan, Jr., Van, KY

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Quotes from Individuals About Roadside Community Residencies

"You have to feel good about yourself to stand up for what you believe in. . . . This whole project is about empowering people, and they can then feel who they are and where they come from is honorable."
—Ralph Paulus, farmer and director, Performing Arts League, Choteau, MT

"You run a couple of boars in there, and you got maybe a dozen sows, and . . . in another six months you've got 20,000 pounds of pork to deal with, just from opening that gate. And that's the way this art stuff is."
—Ralph Paulus, farmer and director of Performing Arts League, Choteau, MT

"Story circles aren’t rocket science, you know. If people listen to each other, they learn."
—Joy Smith-Briggs, director, Family Crisis Support Services, Norton, VA

"As a teacher, I consider it to be of paramount importance to develop a positive self-image in the children I work with. This self-awareness has its foundation in the culture and the history of the place in which the children live . . . The programs which Roadside Theater provide us are an invaluable link to this heritage. I consider these people to be a prime resource in the teaching of the unique Appalachian way of life."
—William Rosenfeld, teacher, Norton, VA

"History is ordinary, everyday stuff you don't think is important. . . . We're so programmed that stories come from Hollywood and television and we've undervalued our own stories for so long. Even though I know it in my head, it still seems new to me when these amazing stories come out."
—Marilyn Shannon, community coordinator, Dayton Stories Project, Dayton, OH

"I learned that people are more connected to each other than they know and the best way to learn about people different from yourself is to meet them face to face and listen to their stories."
—Marilyn Shannon, community coordinator, Dayton Stories Project, Dayton, OH

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Quotes about Roadside Plays

"Not only is Pretty Polly an exhilarating, enjoyable evening, but the tall tales, the guitar pickin' and the banjo are the Real McCoy."
Birmingham Post-Herald

"The high point was Roadside Theater's Pretty Polly. Here we did feel we were touching something essentially southern: the stony soil of Appalachia."
Los Angeles Times

"The Roadside company's honest approach, lively style and overall professional quality made Pretty Polly one of the festival's highlights."
Louisville Courier Journal

"[At the Junebug/Jack performance,] there were lots of smiles on faces of many colors."
New Orleans Times-Picayune

"Mountain Tales is magic that makes even the oldest story new every time."
The Kentucky Post

"Red Fox/Second Hangin' recreates, with great charm and visible passion, a part of this country's past the entire nation can treasure. If its inspiration originates in Appalachia, its appeal is universal."
Louisville Courier Journal

"Working on an almost bare stage and with the simplest of props, the cast draws the spectator irresistibly into this strange story of mountain conflicts, the coming of big-money exploiters, and the corruption of justice."
The Christian Science Monitor

"New York's fashionable East Side might seem the last spot in the country that would prove hospitable to a trio of self-confessed mountain boys from Appalachia telling tales about fightin' and feudin' among their ancestors. Yet such a group held theater audiences in a powerful sway at New York's highly esteemed Manhattan Theatre Club."
Louisville Courier Journal

"[Red Fox/Second Hangin' is]. . . as stirring to the audience for its historical detective work as for the vanishing art of frontier yarnspinning."
The New York Times

"The most strikingly original show was Red Fox/Second Hangin', so regional in its approach that its ethnicity could make a hit anywhere . . . the show creates its own unique approach to theater."
San Francisco Chronicle

"Red Fox has more to say about the history of rural America than any five history books."
Theater Times

"Red Fox/Second Hangin' is a brilliant piece of art created out of Appalachian memories of history."
Atlanta Constitution

"The best of the Festival's plays were world class. At the top you'd have to put Roadside Theater's Red Fox/Second Hangin'."
Los Angeles Times

"Boston critic, Elliot Norton, who reviews in New York as well as in his own city, said he regarded Red Fox/Second Hangin' as the finest stage production in every way -- the work itself, the staging, and the artistry of the actors -- that he had seen in the past 10 years."
Nashville Tennessean

"In Red Fox/Second Hangin' performers bereft of sets, costumes and props just talk. They move easily through a multitude of roles -- women and children, young men and old -- with artfully artless narration that ranges from your-turn cracker-barrel soliloquy to what co-author Dudley Cocke likens to 'a bunch just busting to tell you a story they all know. Battling lines back and forth, saying some phrases in unison, feeding off each other's rhythms.' The result is magic."
Smithsonian Magazine

"The long forgotten but intricately researched trial (of Red Fox/Second Hangin') would be a winner anywhere, so deft are the three actors in quickening this memory of 100 years ago in the Cumberland Mountains."
The Washington Post

"South of the Mountain is an extraordinary theater piece by the Roadside Theater, sung and narrated with serenely beautiful simplicity."
New York Post

"In South of the Mountain, writer Ron Short's stories and original songs based largely on recollections of his kin, range from the gently comic to the elegiac, and are deeply affecting."
Theatre Communications, NYC

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Quotes about Roadside Books and Recordings


Journeys Home
Book/CD combination

"Our A:shiwi (Zuni) People have a long history of sharing. This Zuni-Appalachia collaboration on storytelling and drama continues a venerable tradition. The Zuni Tribal Council and Zuni People are honored to see in print the Journeys Home."
Malcolm B. Bowekaty, Governor, Pueblo of Zuni

"This Zuni-Appalachia collaboration is moving, charming, and above all, surprising. That two cultures seemingly so disparate could work together with such inventiveness and such trust is a wonderful thing."
Larry McMurtry, Pulitizer Prize winning author

"Journeys Home is an extraordinary work of art which builds bridges across this nation while preserving and celebrating the rich heritages on which our country was built. This is simply an excellent play by any measure, one which derives universal humanity by cultural specificity."
—David Henry Hwang, Tony Award winning playwright


Mountain Tales
Record

"These delightful tales are told with a lovely home-grown warmth that endears them at once to anyone who's grown up with storytelling in the family. Several of the tales are ones that Roadside Theater members heard themselves as children, which accounts for much of their ring of truth. The [Mountain Tales]record's charm is also due to the broad range of voices, their vivid mountain accents and the beautifully timed pacing of the stories."
Southern Exposure


Wings to Fly
Compact Disc

"Wings to Fly grew from the desire to use theater to educate people about Appalachia. But the comparison to the sort of pallid edutainment found at historical sites and in school auditoriums ends there. By enlisting performers from the region who could write and perform in traditional styles, Kentucky's Roadside Theater has imbued this CD, and similar stage productions, with authenticity and grace."
Pamela Murray Winters, Dirty Linen, the Magazine of Folk & World Music

"Fine harmonies, expert picking, and sincere motives combine with that authentic mountain sound to create an unexpectedly captivating recording."
Pamela Murray Winters, Dirty Linen

"This is the real deal: the music that came from Britain and Ireland, augmented by those who toiled in the mines and on the farms, and evolved into American folk music."
CMT (Country Music Today) Magazine

"This is entirely fresh, contemporary work, but it captures the heart and soul of the Celtic roots and the foundation of traditional old time mountain music. . . Wings to Fly is completely unique, timeless work."
John Wolfe, Colorado Bluegrass Music Association

"[Wings to Fly] is soulful, savvy and plain satisfying . . . the singing is diverse and is both rooted and adventurous."
Hal Cannon, Founding Director, Western Folklife Center

"Something drew me to Wings to Fly . . . this is the most powerful and emotional listening I've done in years. I am not ashamed to say its hard to type with tears flowing."
Red Shipley, WAMU, Washington, DC

"This disc is a tribute to the rich musical heritage of Appalachia (specifically in the Cumberland Mountains). It is a celebration of the tradition of mountain harmony singing, passed down through the generations . . ."
—Rachel Jacht, Rambles.net, A Cultural Arts Internet Magazine

"The Roadside Theater has produced a gem here, and has brought listeners another tool by which to better understand an important piece of American cultural history -- and its echoes in modern music."
—Rachel Jacht, Rambles.net

"The performances are marked by heart and skill."
Bluegrass Unlimited Magazine

"This is a wondrous recording, a gem. The recording quality is tops and, more important, the songs and the singing soar."
—Joe Wilson, National Council for the Traditional Arts

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Children in Sandlick, Kentucky, enjoy Roadside Theater performance of Mountain Tales and Music.

   

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